These are the five colors I cannot stop using this year. Seriously, they’ve made their way into almost everything I’ve been creating lately—paintings, digital work, even my sketches. It’s like I’ve got this subconscious color palette I’m obsessed with. And I think there’s something deeper behind it, something about where I am creatively and maybe even emotionally. Let’s dive in.
First up: Ochre. I know, it’s a classic, but I can’t stop reaching for it. There’s this earthy, grounded quality to ochre that feels timeless. It’s warm but not overwhelming, and it pairs beautifully with almost anything—blues, greens, even deep reds. For me, it’s become this base note, like the rhythm section of my work. It keeps everything cohesive, even when I’m experimenting with bolder accents. Plus, ochre has this historical resonance. It’s been used in art for thousands of years, from cave paintings to Renaissance frescoes. There’s something about that connection to the past that feels grounding.
Next is Prussian Blue. Oh my gosh, where do I even start? It’s deep, it’s moody, it’s versatile. You can water it down for these soft, dreamy washes or layer it up for something almost velvety. I think what draws me to Prussian Blue is its sense of depth. It’s not just a color—it’s like a portal. When I’m working with it, I feel like I’m diving into something infinite. And here’s a fun fact: this pigment was actually discovered by accident in the early 18th century. It’s one of the first synthetic colors ever made, which is kind of cool to think about.
The third one on my list is Burnt Sienna. Now, I’ve always loved this color, but this year, it’s taken center stage. There’s this richness to it that’s just irresistible. It’s earthy, yes, but it also has a surprising vibrancy. It’s like the color of sun-baked clay, and it adds this natural warmth to everything. Lately, I’ve been using it in underpainting, letting it peek through in unexpected ways. It gives the final piece this extra layer of texture and warmth.
Now, I can’t talk about my palette without mentioning Sap Green. This one’s been a bit of a revelation for me. I used to struggle with greens—they can be tricky to work with—but sap green has this softness that makes it so approachable. It’s organic, lush, and versatile. I’ve been using it a lot for botanical work and landscapes, but even in abstract pieces, it adds this fresh, lively energy. It’s like the visual equivalent of taking a deep breath outdoors.
Finally, the wildcard: Coral Pink. This one kind of snuck up on me. I’ve never been much of a “pink” person, but there’s something about coral that feels so vibrant and joyful. It’s not sugary or overly sweet—it’s more like a pop of energy. I’ve been using it in highlights, little touches here and there, and it just wakes everything up. Pair it with ochre or burnt sienna, and you get this gorgeous, sunlit vibe. It’s become my go-to for adding a sense of playfulness to my work.
What I find interesting is how these colors seem to reflect what I’m craving right now. There’s a lot of earthiness, a lot of warmth, but also this depth and energy. It’s like I’m reaching for balance—grounded but dynamic, serious but playful. And maybe that’s what I’m trying to express in my work, too.
If you’re curious about exploring color palettes, there’s an amazing resource I’ve been loving: Adobe Color. It’s super helpful for experimenting with combinations and understanding how different hues interact. I’ve used it to refine a few of these pairings, and it’s been a total game-changer.
So, those are my five: ochre, Prussian blue, burnt sienna, sap green, and coral pink. I’d love to hear if you’ve got colors you’re obsessing over, too. It’s fascinating how color can be such a personal, emotional thing, yet it also connects us in these universal ways. For now, though, I’m off to squeeze more ochre onto my palette. It’s calling my name again!